McMains, Juliet. “Brownface and Dancing with the Stars: Reality Television and Off-stage Dance Realities.” Paper presented at Re-Thinking Practice and Theory, Joint Conference sponsored by Centre National de la Danse, Society for Dance History Scholars, and Congress on Research in Dance, Pantin, France, 24 June, 2007. |
Presentations |
Culture, Race and Ethnicity, Media Studies |
McMains, Juliet, Clare Parfitt-Brown and Danielle Robinson. “Current Problems and Methods in Dance Reconstruction: Focus on Cross-Cultural and Social Dance Reconstruction.” SDHS 2011 Conference Proceedings, edited by Ken Peirce, 123–140. Toronto, CA, June 23–26, 2011 |
Publications, Presentations |
Dance Reconstruction |
Koch, Jürg. "Walk the Talk (or Roll the Script): Exploring Sense/Access in Performance" (Cripistemology Conference, Art Inclusion Residency, UCIrvine, 2013) |
Presentations |
Disability, Performance Studies |
Koch, Jürg. "Ready, Set, Unset - Considering Inclusion and Aspects of Universal Design for Dance Technique Class" (Arts Time, DEAW Conference, Seattle, WA 2010; Imagining America Conference, Seattle, WA 2010) |
Presentations |
Disability, Integrated Dance |
Koch, Jürg. "Oh for the love of learning, get going! The beauty of purposelessness in art, creating access and acknowledging diversity" (Teaching and Learning Symposium, Saint Martin’s University, Lacey, WA 2011) |
Presentations |
Disability, Integrated Dance |
Koch, Jürg. "Of Ghettos and Ivory Towers: A Tale of Integrated Dance and Dance in Higher Education" (Pathways to the Profession Symposium, Dundee, Scotland, 2012) |
Presentations |
Integrated Dance |
Jennifer Salk, Jurg Koch, and Betsy Cooper. “Out of the sidelines and into the mix: modification in the dance studio” (National Dance Education Organization, Tempe AZ, 2010) |
Presentations |
Dance Pedagogy |
Cooper, Elizabeth. “The WPA Federal Dance Theatre: High Art for the Masses.” WPA: Public Art in a Time of Crisis, Simpson Center for the Humanities University of Washington, (May 5-7, 2006). Symposium |
Presentations |
Dance History |
Cooper, Elizabeth. “The Hollywood Musical and Censorship: The Dancing Body’s Subversion of the Production Code.” Hawaii International Conference on Arts and Humanities, Honolulu, HI, January 2004 |
Presentations |
Dance History |
Cooper, Elizabeth. “The Capitalist Contagion and the Dancing Vector: Watch Your Step You Might Catch the Bourgeois Bug.” Dancing in the Millennium, International Conference, Washington, DC (July 19-23, 2000). |
Presentations |
Dance History |
Cooper, Elizabeth. “Reflective/Reflexive Writing: A Means to Build Engaged Learning and Self-Esteem in the Technique Class.” National Dance Education Organization 8th Annual ConferenceFocus on Dance Education: Celebrating the Whole Person: a joint conference NDEO and ADTA, California State University at Long Beach, (Oct. 18-22, 2006). |
Presentations |
Dance Pedagogy |
Cooper, Elizabeth. “Embodied Writing: A Tool for Teaching and Learning in Dance.” National Dance Education Organization 8th Annual ConferenceFocus on Dance Education: Celebrating the Whole Person: a joint conference NDEO and ADTA, California State University at Long Beach, (Oct. 18-22, 2006). |
Presentations |
Dance Pedagogy |
Cooper, Elizabeth. “Dances About Spain: Guns & Castanets and Adelante.” In the Moment, Society of Dance History Scholars Annual Conference, Towson, MD (June 21-24, 2001). |
Presentations |
Dance History |
Cooper, Elizabeth. Dance Educators Association of Washington Fall Conference: Excellence in Education. Panelist: “The State of our State,” Pacific Northwest Ballet, Francia Russell Center, Bellevue, WA (October 8, 2011). |
Presentations |
Dance, Education |
Alexander, Alethea. "Wonderwomen: Embodied Confidence in Popular Media." Research presented at the Annual Arts and Society Conference. Vancouver, B.C.. June 2018. |
Presentations |
Body, Contemporary, Culture, Dance, Feminism and Feminist Theory, Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, Popular Culture, Visual Culture |