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Creative Work

  • Marte lunges sideways on top of a wooden bench, with his arms and focus stretching upwards to his left. His hands are supinated, as if receiving the faint glow that is above. He is shirtless and in blue leggings.
  • Pablo precariously balances on the front of his toes as he leans backwards, hinging at the hips with his arms raised high above his head. He is wearing a white blouse and black pants.
  • Escargot
  • 5 people walking by pillows on the ground
  • Bald man in bright athletic clothing humorously balances on one toe.
  • Julia stands face on in colorful pants. Her right arm is extended straight forward while her left arm is bent at the elbow near her hip. Her left knee is slightly bent and she looks to her right.
Author/Title Research Type Related Fields

Cooper, Elizabeth. The Space Between, commissioned by Arc Dance Company, Leo Kreielsheimer Theatre, Seattle Repertory, Seattle, WA, 2009; Arc Dance Company, Leo Kreielsheimer Theatre, Seattle Repertory, Seattle, WA, 2011

 		Creative Work Choreography
Shapiro, Danial, and Joanie Smith. To Have and To Hold. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2011. Performance. Creative Work Dance Reconstruction, Modern Dance
Madsen, Wade. Embrace. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2011. Performance. Creative Work Dance Reconstruction, Modern Dance

Koch, Jürg. meanwhile: in Seattle (Raisbeck Hall, Seattle, June 2011; Velocity Dance Centre,Seattle, January 2011)

 		Creative Work Choreography, Modern Dance

Salk, Jennifer. Eyes of the Skin II (Mimar Sinan Conservatory, Istanbul, Turkey 2011; Commission by Moving Current Dance Collective, Tampa, FL 2011)

 		Creative Work Choreography, Modern Dance
Wiley, Hannah. Tandy Beal: Heisenberg’s Principle, documentary DVD including performances contextualized with interviews and photography. 2010. Creative Work, Publications, Film/Video Choreography, Dance History, Modern Dance
Schlemmer, Oskar. Bauhaus Dances. Dir. Hannah C. Wiley. Chamber Dance Company. Meany  Theater, Seattle.  2010. Performance. Creative Work Modern Dance

Cooper, Elizabeth. Evening Song (music: Felix Mendelssohn, selections from Songs Without Words, performed by Glenn Gould) commissioned by Arc Dance Company, Leo Kreielsheimer Theatre, Seattle Repertory, Seattle, WA, 2010.

 		Creative Work Choreography

Cooper, Elizabeth. In Another Land (selections from The Rolling Stones) Seattle Dance Project, Project 3, ACT: A Contemporary Theater, Seattle, WA, 2009 & 2010.

Creative Work Choreography
Schlemmer, Oskar. Space Dance. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2010. Performance. Creative Work Dance Reconstruction, Modern Dance, Modernism
Schlemmer, Oskar. Pole Dance. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2010. Performance. Creative Work Dance Reconstruction, Modern Dance, Modernism
Schlemmer, Oskar. Hoop Dance. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2010. Performance. Creative Work Dance Reconstruction, Modern Dance, Modernism
Schlemmer, Oskar. Figure in Space. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2010. Performance. Creative Work Dance Reconstruction, Modern Dance, Modernism

Koch, Jürg. meanwhile (Elizabeth Sneddon Theatre, Durban and the Hexagon Theatre, Pietermaritzbur, South Africa, 2010)

 		Creative Work Choreography, Modern Dance
Rachael Lincoln, Cari Ann Shim Sham and RJ Muna, January, (Building Bridges Film Festival Iran, Fowler Museum, Los Angeles, 2009; Sans Souci, Barcelona, 2010) Creative Work, Film/Video Choreography, Film/Cinema, Modern Dance
McMains, Juliet. Solo un fantasma, (UW Faculty Dance Concert, Meany Studio Theatre, Seattle, WA 2010) Creative Work Choreography, Tango
Rachael Lincoln and Bebe Miller, Not so Easy Pieces, (Seattle Festival of Improvisation and Dance, Seattle, August 2010) Creative Work Choreography, Improvisation, Modern Dance

Cooper, Elizabeth. Serenade for “S” (music: Mozart, Serenade in D major, Berlin Philharmonic), commissioned by Connecticut Ballet, Riverfront Recapture in Hartford and Stamford Center for the Arts’ Palace Theatre, Stamford, CT, 2009.

 		Creative Work Choreography

Cooper, Elizabeth. Interiors (music: Beethoven, Piano Sonata #14 in C-sharp, performed by Daniel Barenboim), commissioned by Western Washington University, Bellingham, WA, 2009

 		Creative Work Choreography

Cooper, Elizabeth. Pas de deux commissioned by Western Washington University, Bellingham, WA, 2009.

 		Creative Work Choreography
Nagrin, Daniel. Strange Hero. Staging, Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2009. Performance. Creative Work Culture, Dance Reconstruction, Modern Dance
Jones, Bill T. D-Man in the Waters.Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2009. Performance. Creative Work Dance Reconstruction, Modern Dance, Social Justice
Dudley, Jane. Harmonica Breakdown. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2009. Performance. Creative Work Culture, Dance Reconstruction, Modern Dance, Social Justice
Weidman, Charles. Lynchtown. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2009. Performance. Creative Work Culture, Dance Reconstruction, Modern Dance, Social Justice
McKayle, Donald. Dink's Blues. Dir. Hannah C. Wiley. Chamber Dance Company. Meany Theater, Seattle. 2009. Performance. Creative Work Dance Reconstruction, Modern Dance, Social Justice

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