Presentations

Author/Title Research Type Related Fields
 Roussève, David. Stardust. Dir. Rachael Lincoln & Hannah C. Wiley. Chamber Dance Company. Meany Hall- Studio Theatre, Seattle. 2022. Performance.  Creative Work, Presentations
Alexander, Alethea. "Wonderwomen: Embodied Confidence in Popular Media." Research presented at the Annual Arts and Society Conference. Vancouver, B.C.. June 2018. Presentations
Cooper, Elizabeth. Dance Educators Association of Washington Fall Conference: Excellence in Education. Panelist: “The State of our State,” Pacific Northwest Ballet, Francia Russell Center, Bellevue, WA (October 8, 2011). Presentations
Cooper, Elizabeth. “Dances About Spain: Guns & Castanets and Adelante.” In the Moment, Society of Dance History Scholars Annual Conference, Towson, MD (June 21-24, 2001). Presentations
Cooper, Elizabeth. “Embodied Writing: A Tool for Teaching and Learning in Dance.” National Dance Education Organization 8th Annual ConferenceFocus on Dance Education: Celebrating the Whole Person: a joint conference NDEO and ADTA, California State University at Long Beach, (Oct. 18-22, 2006). Presentations
Cooper, Elizabeth. “Reflective/Reflexive Writing: A Means to Build Engaged Learning and Self-Esteem in the Technique Class.” National Dance Education Organization 8th Annual ConferenceFocus on Dance Education: Celebrating the Whole Person: a joint conference NDEO and ADTA, California State University at Long Beach, (Oct. 18-22, 2006). Presentations
Cooper, Elizabeth. “The Capitalist Contagion and the Dancing Vector: Watch Your Step You Might Catch the Bourgeois Bug.” Dancing in the Millennium, International Conference, Washington, DC (July 19-23, 2000). Presentations
Cooper, Elizabeth. “The Hollywood Musical and Censorship: The Dancing Body’s Subversion of the Production Code.” Hawaii International Conference on Arts and Humanities, Honolulu, HI, January 2004 Presentations
Cooper, Elizabeth. “The WPA Federal Dance Theatre: High Art for the Masses.” WPA: Public Art in a Time of Crisis, Simpson Center for the Humanities University of Washington, (May 5-7, 2006). Symposium Presentations
Jennifer Salk, Jurg Koch, and Betsy Cooper. “Out of the sidelines and into the mix: modification in the dance studio” (National Dance Education Organization, Tempe AZ, 2010) Presentations
Koch, Jürg. "Of Ghettos and Ivory Towers: A Tale of Integrated Dance and Dance in Higher Education" (Pathways to the Profession Symposium, Dundee, Scotland, 2012) Presentations
Koch, Jürg. "Oh for the love of learning, get going! The beauty of purposelessness in art, creating access and acknowledging diversity" (Teaching and Learning Symposium, Saint Martin’s University, Lacey, WA 2011) Presentations
Koch, Jürg. "Ready, Set, Unset - Considering Inclusion and Aspects of Universal Design for Dance Technique Class" (Arts Time, DEAW Conference, Seattle, WA 2010; Imagining America Conference, Seattle, WA 2010) Presentations
Koch, Jürg. "Walk the Talk (or Roll the Script): Exploring Sense/Access in Performance" (Cripistemology Conference, Art Inclusion Residency, UCIrvine, 2013) Presentations
McMains, Juliet, Clare Parfitt-Brown and Danielle Robinson. “Current Problems and Methods in Dance Reconstruction: Focus on Cross-Cultural and Social Dance Reconstruction.” SDHS 2011 Conference Proceedings, edited by Ken Peirce, 123–140. Toronto, CA, June 23–26, 2011 Publications, Presentations
McMains, Juliet. “Brownface and Dancing with the Stars: Reality Television and Off-stage Dance Realities.” Paper presented at Re-Thinking Practice and Theory, Joint Conference sponsored by Centre National de la Danse, Society for Dance History Scholars, and Congress on Research in Dance, Pantin, France, 24 June, 2007. Presentations
McMains, Juliet. “Brownface: A New Performance of Minstrelsy in Competitive Latin American Dancing?” Conference Proceedings: Dancing in the Millennium An International Conference, compiled by Juliette Crone-Willis, 12–316. Washington DC, 19–23 July 2000 Publications, Presentations
McMains, Juliet. “Brownface: A New Performance of Minstrelsy in Latin American Dancing?” Paper presented at Dancing at the Millennium Conference, Washington, DC, 22 July 2000. Presentations
McMains, Juliet. “Current Problems & Methods in Dance Reconstruction: Focus on Cross-Cultural and Social Dance Reconstruction.” Roundtable in conjunction with Danielle Robinson and Clare Parfitt-Brown, presented at Society of Dance History Scholars Annual Conference, Toronto, June 2011. Presentations
McMains, Juliet. “Dancesport Lifestyle: The Glamorous and the Grotesque in Competitive Ballroom and Latin Dance.” Paper presented at Dance Under Construction, Second Annual Graduate Student Dance Conference, UC Riverside, 11 March 2000 Presentations
McMains, Juliet. “Finding the Beat: Rhythmic Controversies in the Salsa Dance Industry.” Paper presented at Congress on Research in Dance Annual Conference, Barnard College, 9 November, 2007; Paper presented at the International Congress on Music, Identity and Culture in the Caribbean, Centro León, Santiago de los Caballeros, Dominican Republic, 14 April, 2007. Presentations
McMains, Juliet. “Followers on the Dance Floor/Leaders in the Dance Industry: A Cross-Generational Comparison of Female Pioneers in 1950s Mambo and 1990s Salsa.” Paper presented at Congress on Research in Dance Annual Conference, Hollins College, Roanoke, VA, 15 November, 2008. Presentations
McMains, Juliet. “From Mambo to Salsa: Dancing Across Generational Divides.” Paper presented at Society of Ethnomusicology Annual Conference, Wesleyan University, Middletown, CT, 26 October, 2008. Presentations
McMains, Juliet. “From Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars.” Paper presented with co-author Ben Thomas at the joint meeting of Congress on Research in Dance and Society for Ethnomusicology, Philadelphia, November 19, 2011. Presentations
McMains, Juliet. “Kineschizophonia in Latin Dance Music.” Paper presented at Dance and Music: Moving Dialogues Conference. McGill University, Montreal, February 17, 2011 Presentations